Classical &
Contemporary Arrangement

Essay Arrangement Methods
The Parts of Oration
The Six Parts of Discourse
Toulmin Method
Five Paragraph Theme
Comparison of the Four Strategies
Modes of Arguments & Arrangement

Strategies that Help with Essay Arrangement
Invention Questions
Outlines
Introductions & Conclusions

Paragraphs

Transitions

Arrangement Homepage

Transitions

Transition Tools

  • Thesis statements
  • Forecasting statements
  • Topic sentences
  • Announcing topic
  • Forecasting subtopics
  • Asking rhetorical question
  • Cohesion devices
  • Pronoun references
  • Word repetition
  • Synonyms
  • Sentence structure/style repetition
  • Collocation (topic related words)

Transitions Showing Various Relationships

  • Logical Relationships
    • To introduce another item in a series: first, second; in the second place; for one thing…, for another; next; then; furthermore; moreover, in addition; finally, last; also; similarly; besides; and; as well as
    • To introduce an illustration or other specification: in particular; specifically; for instance; for example, that is; namely
    • To introduce a result or a cause: consequently; as a result, hence; accordingly; thus; so; therefore; then; because; since; for
    • To introduce a restatement: that is; in other words; in simpler terms; to put it differently
    • To introduce a conclusion or summary: in conclusion; finally; all in all; evidently; clearly; actually; to sum up; altogether; of course
    • To introduce an opposing point: but; however; yet; nevertheless; on the contrary; on the other hand; in contrast; still; neither; nor
    • To introduce a concession to an opposing view: certainly; naturally; of course; it is true; to be sure; granted
    • To resume the original line of reasoning after a concession: nonetheless; all the same; even though; still; nevertheless
  • Temporal Relationships
    • To indicate frequency: frequently, hourly; often; occasionally; now and then; day after day; again and again
    • To indicate duration: during; briefly; for a long time; minute by minute
      To indicate a particular time: now; then; at that time; in those days; last Sunday; next Christmas; in 1997; at the beginning of August; at six o’clock; first thing in the morning; two months ago
    • To indicate the beginning: at first; in the beginning; since; before then
    • To indicate the middle: in the meantime; meanwhile; as it was happening; at that moment; at the same time; simultaneously; next; then
    • To indicate the end and beyond: eventually; finally; at last; in the end; subsequently; later; afterward
  • Spatial Relationships
    • To indicate closeness: close to; near; next to; alongside; adjacent to; facing
    • To indicate distance: in the distance; far; beyond; away; there
    • To indicate direction: up/down; sideways; along; across; to the right/left; in front of/behind; above/below; inside/outside; toward/away from (Axelrod, & Cooper, 1997, p. 479-80)

Achieving Coherence Through Sentence or Paragraph Transition

  • Addition—Use connectives to suggest simple additions to a thought in the preceding sentence: and, too, also, again, and then, moreover, further, indeed, in addition to, plus, likewise, besides, together, jointly.
  • Series—Use transitional devices to link items in a series: first, second, third, next, again, last, primarily, secondarily, in the first place, in the second place, finally, additionally, first and foremost, the former, the latter.
  • Pronoun Reference—Use a pronoun to refer to a noun, another person, or a clause in the preceding sentence: this, that, these, those, he, she, it, you, they, we, such, some, many, none.
  • Repeated Word—Repeat a key word or a word derived from the same root: told/tell, arrived/arrival, rare/rarity, moisture/moistness/moisten/moist, depth/deep, mix/mixture/admixture/mixed.
  • Synonyms—If the repetition of key words gets tiresome or if variety is needed, then use a different word or phrase to refer to an element in the preceding sentence: care/automobile, spectator/onlooker/observer/viewer, purchase/buy, join/unite/connect, exterior/outside, mere words/nonsense.
  • Whole-Part—Use a word or phrase that names a whole in one sentence and then use another word or phrase that names a part of the whole: television/picture tube, stereo/tuner, water/wave, flower/petal, book/chapter/section/paragraph, landscape/meadow.
  • Class-Members—Name a general class in one sentence and a member of that class in another: vehicle/car, sound/noise, fluid/water, fuel/coal/gas, fragrance/perfume, span of time/decade, place of worship/cathedral.
  • Emphasis—Use connectives to reinforce the thought in a previous clause or to give emphasis to that thought: obviously, certainly, perhaps, surely, naturally, really, to be sure, in truth, very likely, undoubtedly, assuredly, without fail.
  • Comparison—Use connections that reveal to the reader significant likenesses in thought: equally important, similarly, in the same way, also, comparably, corresponding, equally, like.
  • Contrast—Connect sentences with linking devices that show contrast and that reveal to the reader significant differences in thought: but, yet, however, still, nevertheless, on the contrary, on the other hand, in spite of, conversely, although, unlike, be that as it may.
  • Result—Use transitional devices when you want to show results: consequently, therefore, thus, as a result, for this reason, on this account, it follows that, accordingly, hence, so, necessarily.
  • Example—Use transitional words and phrases to introduce illustrations or examples: for instance, for example, namely, that is, thus.
  • Parallel Structure—Repeat in the second clause a grammatical structure similar to that in a previous clause: in the morning/in the evening, something will never change/some things will always be the same.
  • Place—Use linking devices that indicate place or change of place: here, there, above, under, near by, beyond, on the other side, opposite, adjacent to, in.
  • Time—Use connectives that indicate time: not long after, then, soon, now, after a short while, meanwhile, immediately. (D'Angelo, 1994, pp. 291-5)

References

Axelrod, R. B., & Cooper, C. R. (1997). The St. Martin’s Guide to Writing.
     (5th ed.). New York: St. Martin’s Press.

D’Angelo. F. J. (1994). Process and thought in composition: With
     handbook
(custom edition). New York: HarperCollins Custom Books.