Classical &
Contemporary Arrangement

Essay Arrangement Methods
The Parts of Oration
The Six Parts of Discourse
Toulmin Method
Five Paragraph Theme
Comparison of the Four Strategies
Modes of Arguments & Arrangement

Strategies that Help with Essay Arrangement
Invention Questions
Outlines
Introductions & Conclusions

Paragraphs

Transitions

Arrangement Homepage

Introductions & Conclusions

Introductions

  • Informing the audience of the subject of discourse
    • Introduction Inquisitive—to show that our subject is important, curious, or interesting
    • Introduction Paradoxical—to show that, although the points we are trying to establish seem improbable, they must after all be admitted.
    • Introduction Corrective—to show that our subject has been neglected, misunderstood, or misrepresented.
    • Introduction Preparatory—to explain an unusual mode of developing our subject; or to forestall some misconception of our purpose; or to apologize for some deficiencies.
    • Introduction Narrative—to rouse interest in our subject by adopting the anecdotal lead-in.
  • Ingratiating Oneself with the Audience
  • Convince the audience that the author is qualified to present on the subject
  • Counteract the prejudices or misconceptions about the author or the subject
    • Deny the charges that have constructed the prejudices against them
    • Admit the charges but deny their alleged magnitude
    • Cite a compensating virtue or action
    • Attribute the discrediting action to an honest mistake on their part or to an accident or to an inescapable compulsion
    • Cite others who were guilty of the same thing but were not so charged.
    • Substitute a different motive or cause for the one alleged.
    • Protest malicious insinuation in general.
    • Cite the testimony of those who take a different view of the matter.
    • Rouse hostility toward the opposite point of view (Corbett, 1990, p. 282-9)

Conclusions

  • Inspire the audience with a favorable opinion of ourselves and an unfavorable opinion of the opposing perspective.
  • Amplify the force of the points made in the previous section to extenuate the force of the points made by the opposition.
  • Rouse the appropriate emotions in the audience.
  • Restate in a summary the facts and arguments. (Corbett, 1990, p. 308)

Reference

Corbett, E. P. J. (1990). Classical rhetoric for the modern student
    (3rd ed.). New York: Oxford UP.